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This New Animated Series From Netflix Is Really, Really Disturbing

Yikes.

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Netflix has become known as a premiere source of quality entertainment, not only for the big studio films and indie movies it boasts as part of its streaming catalogue, but also the original content they continue to produce, most of which is of higher quality than what is found on traditional cable television.

However, just because they have some good stuff going doesn’t mean they don’t make some questionable decisions about programming they put out for consumption by the masses.

A good case in point is a new animated series that’s soon to grace the service called “Super Drag,” which, as you probably guessed, is about drag queens.

Disturbing, isn’t it?

Just as May came to a close, Netflix released its trailer for its new animated series, Super Drags. Here’s how the company excitedly described the series, which will be produced by Brazil-based Combo Studio:

During the day, they work in a department store and deal with their uptight bitchy boss. By night, they tighten up their corsets and transform into the baddest SUPER DRAGS in town, ready to combat shade and rescue the world’s glitter from the evil villains. Get ready, because the SUPER DRAGS are going deeper than you think.

The Brazilian website Cosmonerd reported breathlessly that the three drag queens “work in a department store with annoying customers and a picky boss. At night, they release their inner divas to become Lemon Chiffon, Cran’s Sapphire and Crimson Scarlet: three incredibly fabulous Super Drags who have been recruited to gather the LGBT community and spread glitter in the world.”

Executive producer Marcelo Pereira said, “Thanks to Netflix we can take the Brazilian animation and mainly the LGBTQ representativeness to the 190 countries that have access to the service.”

Chris Sanagustin, director of original international content for Netflix, added, “We are thrilled that our first Brazilian animation will present our audiences with the daring, scandalous and fabulous world of Super Drags! Netflix is ​​fortunate to invest in great animation talent from Brazil, bringing the vibrant trait of Combo and the acidic mood of our producers to the beautiful and the canvases from every corner.”

So, yeah. This is pretty gross.

While it seems like this is a series geared toward adults, the fact that it’s animated speaks to the fact that they sort of hope kids stumble upon the series. Nothing thrills the LGBTQ community more than the idea of indoctrinating kids to believe that homosexuality and dressing like the opposite sex is normative behavior.

Parents will need to be super aware of the content their children watch these days, as even kid shows have been showing up with more and more leftist content contained in them. Gone are the days of assuming cartoons are simple kids fare with solid moral messages.

Source: The Daily Wire

Entertainment

Musk Steps Back from Twitter Purchase After ‘Fake Users’ Concern

Or is Musk a better negotiator than we give him credit for?

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Free speech advocates around the world have been rejoicing in recent days, as Tesla CEO Elon Musk appeared to be on the verge of purchasing social media giant Twitter.

The site, which has grown restrictive for conservative viewpoints in recent years, was going to be “unlocked” by Musk, who firmly believed that a more open, inclusive Twitter would be a much more powerful tool than previously imagined.

But now, as his team uncovers concerns about the site’s real user number, Musk is taking a step back.

Tesla billionaire Elon Musk has put his plan to buy Twitter on what he called a temporary “hold,” raising fresh doubts about whether he’ll proceed with the $44 billion acquisition.

Musk tweeted early Friday that he wanted to pinpoint the number of spam and fake accounts on the social media platform. He has been vocal about his desire to clean up Twitter’s problem with “spam bots” that mimic real people, and he appeared to question whether Twitter was underreporting them.

But the company has disclosed in regulatory filings that its bot estimates might be low for at least two years, leading some analysts to believe that Musk could be raising the issue as a reason to back out of the purchase.

Musk wasn’t shy about his issue.

“Twitter deal temporarily on hold pending details supporting calculation that spam/fake accounts do indeed represent less than 5% of users,” Musk tweeted Friday morning, indicating he’s skeptical that the number of inauthentic accounts is that low.

The eccentric billionaire would go on to insist that he still fully intends to purchase the site, leading some to speculate as to whether or not this might be a simple negotiating tactic.

 

Free speech advocates around the world have been rejoicing in recent days, as Tesla CEO Elon Musk appeared to be on the verge of purchasing social media giant Twitter. The site, which has grown restrictive for conservative viewpoints in recent years, was going to be “unlocked” by Musk, who firmly believed that a more open, inclusive Twitter would be a much more powerful tool than previously imagined. But now, as his team uncovers concerns about the site’s real user number, Musk is taking a step back. Tesla billionaire Elon Musk has put his plan to buy Twitter on what he called a temporary “hold,” raising fresh doubts about whether he’ll proceed with the $44 billion acquisition. Musk tweeted early Friday that he wanted to pinpoint the number of spam and fake accounts on the social media platform. He has been vocal about his desire to clean up Twitter’s problem with “spam bots” that mimic real people, and he appeared to question whether Twitter was underreporting them. But the company has disclosed in regulatory filings that its bot estimates might be low for at least two years, leading some analysts to believe that Musk could be raising the issue as a reason to back out of the purchase. Musk wasn’t shy about his issue. “Twitter deal temporarily on hold pending details supporting calculation that spam/fake accounts do indeed represent less than 5% of users,” Musk tweeted Friday morning, indicating he’s skeptical that the number of inauthentic accounts is that low. The eccentric billionaire would go on to insist that he still fully intends to purchase the site, leading some to speculate as to whether or not this might be a simple negotiating tactic.  

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Sony Bucks Beijing By Refusing to Censor Spiderman Movie

At least someone is refusing to capitulate to China.

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China has long been exploiting their citizenry, thanks to their commitment to the cruel tenets of authoritarian communism and their unwavering disregard for even the most basic of human rights.  This has allowed the CCP to treat Chinese citizens like cattle, working low-paying jobs to produce goods that can then flood the international market, essentially milking them for money.

In order to keep the people of China happy in this arrangement, the government has had to severely limit the sorts of ideas that can be viewed in art or books, lest their human livestock were to get some strange ideas about freedom.

In order to do this, China has leveraged their enormous consumer base against some of the west’s most powerful entertainment companies, demanding that they tamp down certain references in books, films, television, and music.

A recent attempt to manipulate one Marvel’s biggest blockbusters has not gone Beijing’s way, however.

Sony reportedly refused the Chinese government’s demand to scrub the Statue of Liberty from Spider-Man: No Way Home.

According to Puck on Sunday, citing “multiple sources,” the Chinese government requested the Statue of Liberty be digitally removed from the film, despite its inclusion in a pivotal scene. Sony rejected the request.

The Chinese government then asked if the Statue of Liberty could be, according to Puck, “minimized in the sequence: if Sony could cut a few of the more patriotic shots of [Tom] Holland standing atop the crown, or dull the lighting so that Lady Liberty’s visage wasn’t so front-and-center.” Sony considered the request, but declined.

China has demanded several changes to major movies throughout the years, including a massive adjustment to the end of Fight Club, in which the protagonists’ plot to destroy the credit banking system was removed and replaced with an epilogue stating that all of the characters involved were arrested by police…even the character that was a figment of someone’s imagination the whole time.

China has long been exploiting their citizenry, thanks to their commitment to the cruel tenets of authoritarian communism and their unwavering disregard for even the most basic of human rights.  This has allowed the CCP to treat Chinese citizens like cattle, working low-paying jobs to produce goods that can then flood the international market, essentially milking them for money. In order to keep the people of China happy in this arrangement, the government has had to severely limit the sorts of ideas that can be viewed in art or books, lest their human livestock were to get some strange ideas about freedom. In order to do this, China has leveraged their enormous consumer base against some of the west’s most powerful entertainment companies, demanding that they tamp down certain references in books, films, television, and music. A recent attempt to manipulate one Marvel’s biggest blockbusters has not gone Beijing’s way, however. Sony reportedly refused the Chinese government’s demand to scrub the Statue of Liberty from Spider-Man: No Way Home. According to Puck on Sunday, citing “multiple sources,” the Chinese government requested the Statue of Liberty be digitally removed from the film, despite its inclusion in a pivotal scene. Sony rejected the request. The Chinese government then asked if the Statue of Liberty could be, according to Puck, “minimized in the sequence: if Sony could cut a few of the more patriotic shots of [Tom] Holland standing atop the crown, or dull the lighting so that Lady Liberty’s visage wasn’t so front-and-center.” Sony considered the request, but declined. China has demanded several changes to major movies throughout the years, including a massive adjustment to the end of Fight Club, in which the protagonists’ plot to destroy the credit banking system was removed and replaced with an epilogue stating that all of the characters involved were arrested…

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