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Research Reveals Victorian Collector Traded Human Remains For Scientific Fame

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A respected Victorian collector traded human Aboriginal remains robbed from their graves along with the pelts of Tasmanian tigers for scientific accolades, reveals new research. SWNS

A respected Victorian collector traded human Aboriginal remains robbed from their graves along with the pelts of Tasmanian tigers for scientific accolades, reveals new research.

Morton Allport, a solicitor based in Hobart, Tasmania, built his reputation as “the foremost scientist in the colony” in the mid-1800s, despite limited contributions to scientific knowledge.

But a new investigation has discovered that he achieved his lofty status by obtaining the bodily remains of Tasmanian Aboriginal people and thylacines, or Tasmanian tigers, and sending them to collectors in Europe – specifically asking for scientific accolades in return.

A respected Victorian collector traded human Aboriginal remains robbed from their graves along with the pelts of Tasmanian tigers for scientific accolades, reveals new research. SWNS
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Researchers say that Allport’s behavior took place in the context of a “genocide” against the Tasmanian Aborigines, and persecution of Tasmanian tigers, also known as thylacines, that eventually led to their extinction early last century.

The study by Jack Ashby, Assistant Director of Cambridge University’s Museum of Zoology, is based on transcriptions of letters sent by Allport to correspondents in Australia and Europe.

His research, published in the journal Archives of Natural History, reveals how the human and environmental costs of the colonial project were entwined with practices of natural history.

Ashby spent 15 months investigating the colonial histories of the Australian mammal collections in Cambridge and other museums.

The University Museum of Zoology, Cambridge, holds one of the world’s best-preserved collections of skins of the iconic thylacine.

 

Ashby said: “Early British settlers considered both thylacines and Tasmanian Aboriginal people to be a hindrance to colonial development – and the response was institutionalized violence with the intended goal of eradicating both.”

In the process of reading Allport’s letters, held mainly at the State Library of Tasmania, Mr Ashby found that he identified himself as the principal exporter of the bodily remains of Tasmanian Aboriginal people to Europe.

He shipped a total of five Tasmanian Aboriginal skeletons to Europe, proudly identifying himself as the most prolific trader in Tasmanian bodily remains.

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Allport made clear in his letters that he had directed the grave-robbing himself.

The human remains sent by Allport to the UK are no longer held in British collections – they were either destroyed by bombing during World War Two or have since been repatriated to Tasmania.

Ashby said: “Allport’s letters show he invested heavily in developing his scientific reputation – particularly in gaining recognition from scientific societies – by supplying human and animal remains from Tasmania in a quid pro quo arrangement, rather than through his own scientific endeavors.”

Ashby’s research has shown that as populations of both thylacines and Tasmanian Aboriginal people were diminished, demand for their remains in museums and private collections increased.

And Allport worked to meet that demand.

His exploits included acquiring the remains of an Aboriginal man, William Lanne, considered a “prize specimen” as he was believed by the colonists to be the last Tasmanian man when he died in 1869.

The research explains how Allport likely instructed that Lanne’s body be mutilated both before and – following his exhumation – after his burial so that Allport could add him to a museum collection in Hobart.

The events surrounding Lanne’s death have been at the center of much debate in Tasmania in recent years, and in August this year it was agreed that a statue of state premier William Crowther – also implicated in the mutilation of Lanne’s body – would be removed from Hobart city center.

A respected Victorian collector traded human Aboriginal remains robbed from their graves along with the pelts of Tasmanian tigers for scientific accolades, reveals new research. SWNS

But until now Allport’s own role has been little explored.

Ashby said: “Outrageously, despite state-sponsored violence committed against thylacines and Tasmanian Aboriginal peoples, they were both described by the colonists as being at fault for what happened to them – that they couldn’t cope in the ‘modern’ world.”

Cambridge University’s collection of thylacines, sent from Allport in 1869 and 1871, represent the UK’s biggest collection of this species known to originate from a single person.

Thylacines were the largest marsupial carnivores of recent times.

 

In 1830, British settlers in Tasmania established the first bounties encouraging violence against both Tasmania’s Aboriginals and thylacines. The last known thylacine died in Hobart Zoo in 1936.

Ashby said: “Specimens like the thylacines in our collection hold extreme power in allowing museums to connect people to this story.”

He added: “Although Allport did not send any human remains to Cambridge, I can no longer look at these thylacine skins without thinking of the human story they relate to.

“It shows how natural history specimens aren’t just scientific data – they also reflect important moments in human history, much of which was tragically violent.”

Professor Rebecca Kilner, Head of Cambridge University’s Department of Zoology, said: “We have a remarkable collection of animals in our museum.

“We have long appreciated that their natural history can help us understand more about the natural world and how to conserve it.

“We now realize that the social history behind our collections is just as important.”

She added: “Understanding why and how animals were collected, including the underlying political and social motivations, is key to understanding and addressing some of the social inequalities that exist today.”

A new web-resource sharing the stories behind the collections has been launched. The work forms part of the Museum’s inquiries into the legacies of empire and enslavement.

 

Produced in association with SWNS Talker

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